4/7/2023 0 Comments Architect saarinen crossword![]() But after you slip on the booties and pass through the velvet portieres, you enter a world that perfectly fuses architecture, design, and art. Even when you first enter, wonder is delayed, as Saarinen placed the dark front hall and staircase running alongside part of the frontage for privacy. The only exterior hints about what might be inside are the brick patternwork, leaded glass windows, and ceramic roof. It largely blends in with its historicist neighbors-the whole street feels like it was snatched from an English village. Standing on Academy Way on a blustery Michigan December morning, staring at the house Saarinen designed for his family, the first thing one notices is how little this light Ohio brick exterior tells you about what’s inside. It’s an interior that pulls from every thread of design history, a stark contrast to the anti-history visions of architects like Corbusier, whose modernist aesthetic would dominate for decades. Saarinen’s house is a perfect time capsule of that transition period, between the historicist Arts & Crafts and the sexy Art Deco. ![]() He was also one of the greatest architects working in the early 20th century, first in Finland as the master behind some of its most iconic buildings, and then in the U.S., where he planned and designed the campus of Cranbrook, a campus outside of Detroit of posh schools, museums, and research facilities that have seen the likes of Mitt Romney, Florence Knoll, and Charles and Ray Eames come and go.Īround the same time Saarinen was designing his house, the architectural world was dashing into the era of Art Deco architecture, which blended sleek industrial forms, geometric shapes, and decorations from ancient cultures like the Mayans and Egyptians. Saarinen had won, all thought it was for the father). (He actually lost out to his son in the design competition for the Arch, and when a notice came to the office that E. ![]() Louis Arch, Dulles Airport, and the TWA Terminal. If this quick plunge into the world of 1920s architecture has been a bit heady and you’re wondering who the hell Eliel Saarinen is, or perhaps why he sounds somewhat familiar, he was the father of Eero Saarinen, the designer of the St. John Mead Howells’s Panhellenic House in New York is incredibly similar and Raymond Hood’s New York buildings including the American Radiator Company Building, McGraw-Hill Building, and Rockefeller Center owe a lot to Saarinen’s ideas. Even the two winners of the competition found themselves bowing to the man they beat. The Telephone Building in San Francisco is a near copy, and close followers include the Gulf Building in Houston and Albert Kahn’s Fisher Building in Detroit. “Not so far away, when the wretched and the yearning, the sordid and the fierce, shall escape the bondage and the mania of fixed ideas.” The architect and critic Thomas Talmadge called it “the best design since Amiens.” To glance around at buildings built across American cities in the years after Saarinen’s proposal is to see his drawing brought to life. ““The Finnish-master-edifice… prophesies a time to come,” wrote the father of the skyscraper himself, Louis Sullivan. ![]() Photo Illustration by The Daily Beast/WikiCommons
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